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The military-to-education pipeline

After he served ten years in the army, he returned to civilian life and took up a job as a math teacher in his local finishing academy. Homolanian schools now only employ the most masculine men as teachers. These are the men that boys are going to be spending most of the day with – they must inspire androphilic lust. It’s essential. The military-to-education pipeline is now almost as common as the military-to-police.

He shows up to work dressed in his combat fatigues. It achieves two things; one, it symbolizes his authority and his history – the boys know this is a man to respect and admire. Two, it feeds into the nationwide fetishization of the military. To be so close to a masculine hunk in soldier’s uniform can only help reinforce the desire to serve the military, and serve in the military.

It’s proven so successful that the school has instituted a uniform-wide policy for all its teachers. They now all dress in combat fatigues, whether they served or not. Those who did serve wear their dog tags to signify their sacrifice. The principal didn’t want to disrespect the men who worked to spread Homofascism onwards.

Now the young men of the academy enjoy being taught by a stream of military-garbed teachers – all roided, masculine and tough. The homoeroticism, already painfully high in the minds of the teenage boys, is nearly unbearable. They all find themselves in the toilet stalls between classes, jacking off to thoughts of their teachers. Doesn’t stop them getting raging boners when the next class starts. The orthodoxy police are aware of this new policy and are very pleased with the results. It might become nationwide policy soon, if Parliament approves. As with all things in Homolania, truth is secondary to image. The military-to-education pipeline doesn’t need to be real, only the image of it. If all teachers are dressed like soldiers, then does it really matter that most of them aren’t?

Learn more about Homolania here.

Viril Arte Nouveau

All the heathen art of the old world is destroyed, and in its place, the Party commissions thousands of pieces depicting truth and beauty in the new order. Viril Arte Nouveau, it’s been christened. The galleries and museums of Homolania are filled with endless images of androphilic idealism. The critics are all agreed: there’s never been a more worthy artistic movement.

The art now depicts beautiful men – usually naked, together, and happy – or else features the land, architecture, machinery and magnificence of Homolania itself. Often both. To put one next to the other is to deepen the bonds that the two share. Homolania is its men, its men are Homolania. All culture is now designed to foster the idea of the National Brotherhood. All men are brothers, blood irrelevant. Brothers feel great bonds of trust and loyalty and love. That is what the Party wants in its homocitizenry.

Or so it claims. The people must trust the Party, for they are the bearers of truth. Whether they trust each other is less important. In fact, suspicion helps maintain order by fostering a culture that prioritizes purity over reason. The Party wants people to rat each other out. And loyalty matters so long as loyalty to each other never supplants loyalty to the State. And love? Well, the Patriarch is love. He asks only for love in return. Whether the homocitizenry love each other is not so relevant.

But culture is about propaganda, not truth. The Party weaponizes culture to spread the idea of a National Brotherhood built on truth, loyalty and love. Viril Arte Nouveau is just one brick in the palace of social conditioning now expertly crafted by the Ministry of Orthodoxy. Suffice to say, not a single piece of this new art contains women. If the idea of women – and therefore the potential for heterosexuality – is to be removed from the population, then women cannot be included in any affect of culture. That is only reasonable.

Learn more about Homolania here.

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